Scraps

For the past few months, I got my hands on some of those old school composition books with the marble cover. Surprisingly they were available in an unlined format, so I've been filling them up with really quick observational sketches, thumbnails, writings and so forth. "Not much different from a normal sketchbook," you may add, but there's something about drawing in something that closely resembles computer paper, the same stuff that I drew on while my Dad cleaned up at his job when I was little. There's some freedom in drawing in it, and a breathe of fresh air from the delicious yet expensive moleskins. Anyway, it is a chance to loosen up and get the ideas down for me. Initially, I wasn't going to post any of these, but some friends convince me to post these, to if anything give a peek of my process.

Along with this post is my poster advertising the Richmond Anthology, which I am a part of. The show will be held December 10. It has been a great opportunity and an exciting ordeal to get a story on paper that has been on my mind for a while. I'll be hitting the blog up with more soon, but for now, back to work. Enjoy -

Another Batch -

Tangerines

I was given one of those square, orange Flexi-Sketch books, and have been starting to fill it up with portraits. It's cool testing how far you can push paper if it's not a moleskine.

Son House

Here's a wallpaper for those who'd like one to kick things off again. I've been experimenting with some new materials, testing some new waters, and been having alot of fun. Mark English once said that the reason artists get frustrated with their art or feel like they hit walls is because they're not learning, not trying new things. Truer words never spoken.

The image above is of one of my favorite blues artists, Son House. I had a great Uncle who played a harmonica when I was 5, and I always was captivated on how he moved and felt the music he played. It's one of those memories I appreciate now that I'm older. I know Blues is a subject matter that many illustrators are drawn too, and it's easy to see why. Aside from our art heroes' influence, it also is a extremly admirable trait to channel such raw emotion and energy, and create something honest, dirty, and true such as many true blues musicians do. Here's one of my favorites, accompanied by the awesome cover by the Stripes -

http://www.youtube.com/watch?v=8jN5vqEyV7g - Son House version
http://www.youtube.com/watch?v=1fM2qhG8mA4&feature=related - White Stripes Cover

Keep checking by for new updates. Take care and God Bless -

Become a Fan on Facebook

I started a fan page on Facebook, where I can show a good amount of pictures that might not all make it on here. I believe this is the link, let me know if it works -

http://www.facebook.com/pages/Mr-Visions/148129305216811?ref=ts

See you there and thanks for viewing again.

The Return Part 3

The Return Cont.